HomeNewsCelebritiesTitan Stephen Sondheim has died at the age of 91

Titan Stephen Sondheim has died at the age of 91

He was one of the most respected and influential musicians in the theater of the last half of the 20th century and was the driving force behind some of Broadway’s most beloved and popular shows.

Who is Stephen Sondheim?

Stephen Soundheim, he was one of the History’s Well known ed  songwriters, his music and melodies raised and reorganized the artistic standards for American stage musicals, died Friday morning at his home in Roxbury, Conn. He was 91 years old.

His Friend’s statement after Death:

His lawyer and friend F. Richard Papas announced the death. He said he did not know the cause but added that he did not know Mr Sondheim was ill and that his death was sudden. Mr Papas said the day before, Mr Sondheim had celebrated Thanksgiving with friends at Roxbury.

A thought-provoking artist who constantly sought new creative avenues, Mr. Sondheim was one of the most respected and influential composers of theater in the last half of the 20th century, if not the most popular.

His work blended words and music in a way that enhanced both. From his early successes in the late 1950s, when he wrote lyrics for “West Side Story” and “Gypsy” until the 1990s, when he voiced men for two bold musicals, “Assassins”. Write music and lyrics. And the women who killed or attempted to assassinate American presidents, and the “passion”, which is an operative inquiry into the nature of true love, were a constant inventive theatrical force.

The first Broadway show for which Mr. Sondheim wrote both lyrics and music, the 1962 comedy “A Funny Thing on the Way to the Forum” won the Tony Award for Best Musical and ran for more than two years.

His Produced Series:

In the 1970s and 1980s, in its most fruitful period, he produced a series of surprisingly original and diverse works, including “Company” (1970), “Folies” (1971), and “A Little”. “Night Music” (1973), “Pacific Overtures” (1976), “Sweeney Todd” (1979), “Merrily We Roll Along” (1981), “Sunday in the Park With George” (1984) and “Into the Woods” (1987).

Mr. Sondheim’s music has always been his own identity, and yet he was wonderfully versatile. Its lyrics can be deceptively simple, unarmed – such as the title song of the failed 1964 musical “Anyone Can Whistle”, “Our Time”, “Merrily”, and the most famous of their individual songs. , “Send In the Clowns”. From “night music” – or from “forum” to gay and whimsical, “everyone should work”.

They can also be brass and bitter, such as “Company” to “The Ladies Ho Lunch”, or Sweeney Todd’s fabulous Macbury Waltz “A Little Priest” sweeper. And they can suffer intensely, like the plaintiff “I read,” with “passion.”

In the history of the theater, only a few people could call Mr. Sondheim a Monday. The list of the greatest musicians in the theater who wrote words (and vice versa) with their scores is short – including Irving Berlin, Cole Porter, Frank Loser, Jerry Herman and Knoll Coward.

Although Mr. Sondheim spent long hours in solitary confinement, usually late at night, when composing or writing, he often spoke affectionately about the nature of theater collaboration. Since the first decade of his career, he has never been a hired writer again, and his participation in the show has always been essential to his vision and action. He chose partners – notably producer and director Hall Prince, orchestrator Jonathan Tonk and later writer and director James LaPin – who shared their desire to push the musical genre beyond just entertainment.

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